![]() Bergman proposed that he would host a “film festival’’ on the radio while the other three came on as guest moviemakers. ![]() One day in November 1966, he invited two of the radio station’s employees, Austin and Ossman, and his Yale friend Proctor to join him on the air. Bergman hosted a radio show in Los Angeles which he called “Radio Free Oz.’’ Bergman was a 1961 economics graduate of Yale University, where he met his future collaborator Proctor.Īfter graduating he taught economics classes at Yale and also studied play-writing. Russell Rupp, the school principal who fired him, was the inspiration for the Firesign Theatre character Principal Poop. He lost his job, however, after saying over the air that “Chinese Communists had taken over the school and that a mandatory voluntary assembly was to take place immediately.’’ Bergman got his start in radio as an announcer for his high school’s radio station. Peter Paul Bergman was born in Cleveland, where his father was the men’s fashion editor of the Cleveland Plain Dealer. Bergman’s outbursts of “Shad up!’’ and “Don’t go trackin’ mud across my nice, clean kitchen floor!’’ as Lieutenant Bradshaw are considered classic Firesign Theatre lines. Bergman was best known for his recurring role as the grizzled police Lieutenant Bradshaw of the chronicles of private investigator Nick Danger, Third Eye (“When two aren’t enough’’). ![]() “Don’t Crush That Dwarf, Hand Me the Pliers’’ was added to the Library of Congress’s prestigious 2005 National Recording Registry. The Firesign Theatre recorded dozens of albums, the most popular of which included “How Can You Be Two Places at Once When You’re Not Anywhere at All?’’ (1969), “Don’t Crush That Dwarf, Hand Me the Pliers’’ (1970), and “I Think We’re All Bozos on This Bus’’ (1971). In an interview, Firesign Theatre member Ossman said that fans could recite the lines of their recordings word for word. The group had such a devoted following that fans would listen to their albums hundreds of times, attempting to deconstruct the layers of jokes, sound effects, and puns. Bergman told The Washington Post in 1981. “We were spokespeople for a revolution in the late ’60s and early ’70s,’’ Mr. ![]()
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